A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
TENESSEE WILLIAMS
Farkas Hall | Cambridge, MA | October 2018
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE
A STREETCAR NAMED DESIRE

My husband tells me you’re in sharks.
I don’t think he’ll ever go in the water again after what happened yesterday.
Want to get drunk and fool around?
​
Oh that’s nice.
​
How nice.
​
Time is passing strangely for Ellen Brody. The long night seemed to have set in. Nothing, it seemed, could survive the flood. But what after all is one night?
​
TIME PASSES (for Ellen Brody) brings together two great texts from 20th-century women: “Time Passes,” the astonishing 28-page central section of Virginia Woolf’s modernist masterpiece To the Lighthouse, and all the wife’s lines in Jaws.​
​
Coffee?​
Created by THE GOAT EXCHANGE
Directed by CHLOE CLAUDEL and MITCHELL POLONSKY
Produced by ZACH DONOVAN
Choreography by LENA ENGELSTEIN
Scenic Design by FOREST ENTSMINGER
Lighting Design by ABBIE SAGE
Costume Design by OLIVIA VAUGHN HERN
Sound and Media Design by MITCHELL POLONSKY
Performed by CHLOE CLAUDEL
PR by THERESA BUCHHEISTER